The Case of the Haunted Jail

by Paul Andrew Kimball

In 1942 a young Royal Air Force sergeant named Tom Hutchings was stationed near St. Andrews, New Brunswick, a small village near the border with Maine that looks like something straight out of a Stephen King novel. He left a dance one night with a pretty local girl named Bernice Connors who was found murdered the next day. Hutchings was convicted of the crime and hanged in December 1942. He spent his final days in a small, dark, cold cell in the jail, within earshot of where his executioners constructed the gallows.

By all accounts Hutchings was a model prisoner, passing the time quietly. He made his way to the gallows without a struggle and had nothing to say by way of a final statement.

Unfortunately for him, however, the gallows hadn’t been built correctly. Instead of the quick death that he might have been expecting, it took Hutchings twelve minutes to be pronounced dead (some reports claimed it was eighteen minutes). Ever since, people have reported strange occurrences in the jail, and in his cell in particular, which led to speculation by the locals that the gruesome nature of his death had somehow trapped Hutchings’ soul in that spot, destined to haunt it for all eternity.

Given the circumstances it seemed to me that his old jail cell would be an obvious spot for an episode of Ghost Cases, the 13 episode series I wrote, produced, directed and co-hosted (with good friend Holly Stevens) in 2009 for Eastlink.

As a result, in February, 2009, Holly and I found ourselves in St. Andrews, sitting in the cell at the jail trying to make contact with Hutchings. Just for good measure, and on the theory of “in for a penny, in for a pound,” I came up with the bright idea of trying to antagonize the spirit of Hutchings by bringing along a noose that was on display at the jail as a “trigger” item.

The old jail in St. Andrew’s, New Brunswick. Hutchings’ cell is one the left at the end of the hall.

For a laugh, as much to amuse Holly as anything else, I placed the noose around my neck as we were locked in the dark cell by the crew. Holly and I sat next to each other on the remains of Hutchings’ old bunk, with an EMF meter to Holly’s right, and out of my sight, as we waited to see what would happen.

After almost thirty minutes Holly and I hadn’t experienced anything other than the winter cold and some pleasant conversation. It was at this point that I decided to turn off the low-level camera light we had set up in one corner of the cramped cell.

I took the noose off my neck and plunged us into almost total darkness, with only the barest, almost imperceptible hint of moonlight coming through the slit of a window in the wall of the cell.

Within minutes, I felt Holly shudder beside me.

“Oh, f*ck…” she whispered.

Holly is about as level-headed as they come, and definitely doesn’t frighten easily, so for her to utter a profanity out of the blue was an indication of just how shaken she was.

“That’s weird,” I answered. I turned to Holly and said, “I was sitting here and all of a sudden I felt this cold go around my throat, like colder than the cold, the freezing bitter cold that’s in here anyway. I haven’t felt that since I was in here, and it went right around my throat.”

I thought Holly had felt it too and that’s what she had caused her reaction, but she had actually experienced something completely different (which she thought I was reacting to). In her case she saw a black shape move in front of her, and felt a “presence.” Then she had looked to her right, and noticed that the EMF meter had spiked from zero to a full-on reading of activity.

hutch cell
The interior of the cell.

We were both pretty spooked but we decided to stick it out in the cell a bit longer to see if anything else would happen, although we were no longer quite courageous enough to do so in continued darkness, so I turned our camera light back on. Just a couple of minutes later, it happened again.

Holly looked down at her EMF meter and said, “It’s up again… it’s up again…it’s up….and it’s gone.” As she had looked away from me to see the EMF meter she hadn’t noticed what I had been doing, but the camera definitely picked it up.

I turned to her and said, “I can’t see the EMF thing. There will be camera confirmation on that, that just before you said that, look where my head went, back down, I felt the same…” I couldn’t finish the sentence, because I was so shaken – it had been the same sensation of deathly cold wrapping around my neck.

 “Are you serious?” she asked.

“Yup,” I replied, as I recreated the action of my head pushing down into my chest so that my neck would not be exposed, sort of like a turtle. I kept my neck there as I said, “I don’t actually want to expose my neck at the moment.”

Holly was genuinely concerned. “I don’t think I’ve seen you like this before, Paul,” she said.

 “Yeah, well I have this thing about strangling and necks and throats and stuff,” I replied. “Maybe in another life I was hanged. The noose was funny, because the noose was no threat, but this – who knows?”

At this point we called out to the camera crew that we wanted out of the cell. They obliged, and we made our way out of the cell block and back to the offices in the building as fast as we could. It wasn’t any warmer there but it sure felt a lot safer.

As we recounted what had happened inside the cell, Elaine Brough, who works as a guide on tours of the jail, told us that what we had experienced was pretty much exactly what other people had reported happening to them when they went into the cell. She hadn’t mentioned this to us before we went in because she wanted to see if we would have the same experience without knowing what to expect.

Holly and I laughed nervously.

“Mission accomplished,” I said, as I gave a final glance back at the cell of Tom Hutchings.

The grave of Tom Hutchings.
The grave of Tom Hutchings.
Paul Andrew Kimball

Paul Andrew Kimball

Paul Kimball is a filmmaker and author who lives in Halifax, NS. His work includes the book The Other Side of Truth, the feature films Exit Thread, Roundabout, and The Cuckoo in the Clock, as well as documentaries for CBC, Bravo, Vision, Space, TVNZ, Knowledge, Eastlink TV, UFO TV, and SCN. He has an honours degree in history from Acadia University, and a law degree from Dalhousie University. He is a former Program Administrator of the Nova Scotia Film Development Corporation, and served as President of the Nova Scotia Film and Television Producers Association and as a member of the Nova Scotia government's Film Advisory Committee. He has an abiding love for vanilla milkshakes, mysteries and Walden moments.
Paul Andrew Kimball

One thought on “The Case of the Haunted Jail

  • April 20, 2016 at 11:19 pm

    I believe that, had Tom Hutchings been guilty of murder, the excruciating prolonged execution would not haunt that space. Thanks for sharing the experience.


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