The Annie Leibovitz photos and the Art Gallery Of Nova Scotia

June 2013, saw one of the most exciting announcements ever come out of the Art Gallery of Nova Scotia: The donation of a huge cache (1,307 in total) of famed photographer Annie Leibovitz’s original photographs to our regional art museum. Included in the collection, which numbers over 2,000 prints, are some of Leibovitz’s most iconic images: John Lennon and Yoko Ono, taken just hours before he was killed; the naked and pregnant Demi Moore; Queen Elizabeth II; the Blues Brothers. It is reportedly worth $20 million.

The buzz created by the deal went national and international. Clearly, the AGNS had lucked into a wonderful blast of philanthropy from the collection’s owners, the family of Al and the late Faye Mintz, who were looking for a smaller gallery as a home for a sure-to-be popular attraction. In 2013, AGNS CEO Ray Cronin called the photos “one of the most transformative additions to the collection” and that they would probably be exhibited in 2014.

Since the initial news release, however, what should have been a great story has turned sour. 2014 came and went, as did 2015, and now almost half of 2016, and there is still no established date for the exhibition of Leibovitz’s pictures. In the meantime, Ray Cronin has been let go as CEO and nobody seems to know what exactly is going on at the AGNS.

Whether we see the explanation before we see the Annie Leibovitz photos that were donated by the Mintz family is an open, ongoing question.

How something that began with such goodwill could end so badly casts a long shadow of over the whole of Nova Scotia’s cultural sector.

Questions of accountability and competence are at the heart of the matter.

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Robert Frank – The Man Who Brought Avante-Garde Filmmaking to Nova Scotia

Robert Frank is arguably the most important photographer of the post-WWII period. First published in France in 1958, then in the United States in 1959, his work The Americans changed the course of twentieth-century photography. Less well known is the key role he played in the development of the Nova Scotia film community.

Born in Switzerland in 1924, Frank was a legend of the post-war avante-garde by the time he came to Nova Scotia in 1969 as part of a wave of world-class artists who have lived in the province, off and on, more or less ever since (some of those artists include sculptor Richard Serra, screenwriter and novelist Rudy Wurlitzer, actor and playwright Sam Shepard, and composer Philip Glass).

While Frank’s extraordinary cinematic work can hardly be called mainstream by any stretch of the imagination, many of his techniques and attitudes still resonate within the more adventurous elements of the international motion picture community, including Nova Scotia, where he left an indelible mark.

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Behind the Eyes of Kathryn Jordan

An interview with aspiring model Kathryn Jordan, who grew up in New Minas, Nova Scotia, and is now based in Toronto.

Is she the “next big thing”? I have no idea. But I do know that she is on my list of people that I want to work with someday. I haven’t chatted with her in person in a few years, so I thought I would take the opportunity to catch up and give our readers here a closer look at a talented and driven young Nova Scotian working hard to make her way in a tough profession that requires character as much as it does a “look” if you really want to succeed.

Fortunately, Kathryn Jordan has both in spades.

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